In an interview with Martin Langenbach, Danish sound designer Peter Albrechtsen explains the indispensability of foley in documentary films. It’s about closeness, authenticity, the right tone and the feeling of experiencing what you see.
In the second part of the conversation, Peter Albrechtsen lets us know how he worked on the sound for the films “The Cave” and “The Territory” and reports on his early involvement in the projects and the resulting positive experiences for directing and producing.